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About Nils Frahm


Nils Frahm is a German musician, composer, and record producer based in Berlin. He is known for combining classical and electronic music and for an unconventional approach to the piano in which he mixes a grand piano, upright piano, Roland Juno-60, Rhodes piano, drum machines, and Moog Taurus.


In addition to his solo work, Frahm has released collaborations with such notable performers as Ólafur Arnalds, F. S. Blumm, Anne Müller and Woodkid. With Frederic Gmeiner and Sebastian Singwald he records and performs as Nonkeen.


Frahm had an early introduction to music. His father, Klaus Frahm, was a photographer who also designed covers for ECM Records. He grew up near Hamburg, where he learned the styles of the classical pianists as well as contemporary composers. At school he used mixing boards and was very interested in the quality of recorded sound. He studied classical piano for 8 years under Nahum Brodsky, the protégé of the protégé of Tchaikovsky, who lived in a neighbouring village. In 2006, rather than pursue an orchestra career, Frahm moved to Berlin as a jobbing technician.


Frahm's earlier solo piano works Wintermusik and The Bells gained him attention, but it was his 2011 release Felt that was met with critical acclaim. It was his first studio album on Erased Tapes, which has released his music since. It was followed by the solo synthesizer EP Juno; and by Screws , recorded while Frahm was recovering from a thumb injury, and which was offered as a free download to fans on his birthday. His follow-up to Juno, titled Juno Reworked , featured guest reworks by Luke Abbott and Chris Clark.


Frahm's album Spaces was made of sound collages of live recordings from various venues spanning two years.


In December 2013, Frahm released his first music book, Sheets Eins , published by Manners McDade. In 2016 the follow-up Sheets Zwei was released.


This article uses material from the Wikipedia article "Nils Frahm", which is released under the Creative Commons Attribution-Share-Alike License 3.0.

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