About Galantis
Galantis is a Swedish electronic music act consisting of producer Christian "Bloodshy" Karlsson. Formerly, they were a duo, alongside rising musician Style of Eye, until he decided to part ways with the project shortly after their sophomore album The Aviary in 2017. However, he made appearances in live performances and music videos as part of the project up until 2021.
Galantis had their first international success with "Runaway " released in 2014, followed by "Peanut Butter Jelly" and "No Money".
Christian "Bloodshy" Karlsson has worked as part of the production duo Bloodshy & Avant and the Swedish indie pop band Miike Snow. Karlsson has co-written and co-produced tracks for artists such as Katy Perry, Britney Spears, Jennifer Lopez, Kylie Minogue and Madonna. Specifically, Karlsson co-wrote the Britney Spears single "Toxic", which eventually earned an Ivor Novello award and a Grammy for Best Dance Recording. Karlsson is also a founding member of Swedish artist collective and record label Ingrid.
Linus Eklöw, known by his stage name Style of Eye, co-wrote and produced Icona Pop's song "I Love It" featuring Charli XCX. Eklöw, a Sundsvall-born and Stockholm-based DJ and producer, resides in the techno genre and comes from the underground scene. He explores a range of musical styles, from techno to house via distinct percussion and minimal, floating melodies. After growing up in a jazz and soul oriented family and playing a drumkit at age 10, Eklöw transitioned to electronic music after getting his first computer aged 15 and making "weird downtempo dubbeat and trip hop". DJing upbeat drum and bass followed at 16, and Linus moved into studio production with releases and remixes on such labels as Classic Recordings, Tiny Sticks and Rabid Records.
The duo initially met by chance at Karlsson's Robotberget studios in Stockholm, sometime in 2007. In 2009, Karlsson's band Miike Snow asked Eklöw, who produces and DJs as Style of Eye, to remix their song "Animal". After that, the two started hanging out in the studio together, playing each other songs and scraps of ideas. Explaining what drew him to Eklöw, Karlsson says, "He's an amazing programmer and designer of soundscapes. It was artsy, in a way. He was different."
There were many unfinished ideas that the pair fiddled with and then abandoned, but it wasn't until sometime in 2012 that things really came together, when they stopped the loop-based and software- approach common in modern dance music and switched to Karlsson's usual method of beginning a song on guitar or piano. The duo figured out their own approach—once they create a foundation with a simple arrangement, they build it up with stirring keyboards, monumental drums, imploring vocals and inventive flourishes. "We keep the song naked, and when we feel like we have the right one, we put some clothes on it and see how it feels," says Karlsson. "We realized, this is Galantis, this is our band," Karlsson adds.
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