About Fito Páez
Rodolfo Páez, popularly known as Fito Páez .mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-smallSpanish pronunciation: ; born 13 March 1963), is an Argentine popular rock and roll musician and filmmaker.
Paez was born in Rosario, Santa Fe; his real name is Rodolfo Paez, like his father. When he was a child, people called him "Rodolfito" to distinguish him from Rodolfo, his father. With time, Rodolfito became just "Fito," and that is where his stage name came from.
He formed Staff, his first band, when he was 13. In 1977, he played in El Banquete with Rubén Goldín and Jorge Llonch. He began to perform solo in pubs the following year.
Straight out of high school, he began touring with several bands and, soon after that, produced his first solo album, Del '63, which was released in 1984. It was promoted first in his hometown but later earned attention in Buenos Aires. The recording was put together with the help of some of Argentina's most prominent musicians, including Daniel Wirtz, Fabián Gallardo, Tweety González and Paul Dourge. The record won him critical acclaim as a songwriter and helped lead to future projects, including a 1985 album, Giros. The demo of that album earned him the praise of Luis Alberto Spinetta, as well as a partnership – Paez's next album, 1986's La La La was a duet with Spinetta. The duo supported that album with a tour that reached all the way to Santiago, Chile. The same year, he participated in the Thousand Days of Democracy festival.
His 1987 recording, Ciudad de Pobres Corazones, marked a dark, political turn for his work. It was dedicated to the memory of his aunt and grandmother, who were murdered in Rosario. Páez got his first taste of production work with Ey!, which was released in 1988. Recorded in New York City and Havana, it also showcased many musicians with whom he had worked previously.
Tercer Mundo, released in 1990, explored Latin American cultural influences and the harsh world of poverty and exploitation. It, too, was critically acclaimed, but it was Páez's 1992 album, El Amor Después del Amor which marked the pinnacle of his commercial success. The album sold more than 750,000 copies, and when Páez toured to support it, he found himself playing sold-out shows for 40,000 people. Shortly after this album's release, he played a benefit concert for UNICEF, which raised more than $420,000.
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