About Downchild Blues Band
The Downchild Blues Band is a Canadian blues band, described by one reviewer as "the premier blues band in Canada". The band is still commonly known as the Downchild Blues Band, though the actual band name was shortened to "Downchild" in the early 1980s. The Blues Brothers band was heavily influenced by Downchild Blues Band.
The Downchild Blues Band was formed in Toronto in 1969 and continues to perform today. It was co-founded by two brothers, Donnie "Mr. Downchild" Walsh and Richard "Hock" Walsh. The band's international fame is partially due to three of its songs, the originals "I've Got Everything I Need " and "Shot Gun Blues", and its adaptation of "Flip, Flop and Fly", all from its 1973 album, Straight Up, being featured on the first Blues Brothers album, Briefcase Full of Blues . "Flip, Flop and Fly" has been Downchild's only hit single, and became the signature song of Hock Walsh. The band's musical style is described as being "a spirited, if fundamental, brand of jump-band and Chicago-style blues".
The band name came from the Sonny Boy Williamson II song, "Mr. Downchild". The initial band membership was Donnie "Mr. Downchild" Walsh, who remains the sole constant band member, with younger brother Rick "Hock" Walsh on vocals, accompanied by Dave Woodward, Cash Wall, John Tanti, and Jim Milne. They were the house band at the fabled Grossman's Tavern from 1968 to 1970, managed briefly by former folk musician, Ron Gerston. Classically trained pianist Jane Vasey joined the band in 1973.
The initial blues musical influence on Donnie Walsh was Jimmy Reed. He was later greatly influenced by James Cotton, both in terms of musical style and band format. Walsh and Cotton later became personal friends. Donnie Walsh described these early influences as follows: "Jimmy Reed. I heard him on my girlfriend’s birthday party. Some guys brought a Jimmy Reed album over and that was it, for me. ...I’d put him on the record player, and when I went to sleep at night, it would still be playing when I’d get up in the morning. Then I’d play him all day, and it was unreal. Then, of course, I spread out to Sonny Boy Williamson, Little Walter, Muddy Waters, B.B. King, and Albert King. Then, I got a job in a record store. A blues record store that stocked 45s only. All alphabetical all around the whole room. You’d go to the Muddy Waters section, and there would be eight Muddy Glasses of water singles. You’d go to the Sonny Boy Williamson section, and there would be five Sonny Boy Williamson singles."
The band's first album, Bootleg, is regarded as one of the first independent albums ever produced in Canada. It was recorded over two nights in 1971, in a makeshift studio at Toronto's Rochdale College. Donnie Walsh and others distributed the album by hand. It was welcomed by major Toronto music retailer Sam Sniderman, of Sam The Record Man renown, who was very much disposed to promoting Canadian music. The record was soon acquired by RCA Records Canada for more general distribution.
According to Donnie Walsh, more than 120 musicians have been associated with Downchild since its 1969 founding. The band has never lost its focus on blues music. While certain band members have left to pursue what was perceived to be a more lucrative rock music career, Donnie Walsh has a different perspective: "Just around when I started there were all these guys in blues bands and of course they were impatient and they wanted to make some more money so they became rock bands. I played the blues then and I play the blues now. That's what I love. ... It's a living thing, it's living music. By living and breathing it goes on and what that means is that instead of being the same kind of music somebody else wrote years ago, it lives and evolves. Blues is serious stuff, it's a heavy kind of music in your soul. You show up with the blues I play, you lighten up. That's what it's all about. It's like medicine."
In 1982, the band suffered a major setback with the untimely death of keyboard player Jane Vasey, who succumbed to leukemia at the age of thirty-two. Donnie Walsh, who was living with Vasey at the time, took a period of time off to reflect on his future and that of the band. The band came back in the fall of 1982, with both a new singer and a new keyboard player, by way of a live recording from Toronto's historic El Mocambo club, But I'm On The Guest List.
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